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Oh Sweet Lord how I loved this stuff. The formula was alchemy, just romantically good. It was one of the things that proved that the best technology and sincere consumer craftsmanship could earn sincere respect and affection. UD/XL II did not disappoint… Ever.
Crid
at July 26, 2019 7:17 AM
Two sinceres, sorry. God how I loved that stuff.
Crid
at July 26, 2019 7:19 AM
Some times, a word bears repeating.
I R A Darth Aggie
at July 26, 2019 7:23 AM
Listen, the pointless damage to young lives from brutal inner-city culture is undeniably tragic, but sometimes we have to acknowledge that the same aggression bucks and scratches within our own hearts.
Crid
at July 26, 2019 7:35 AM
Ah yes, the cassette holy wars. For the record, I was a Maxell guy too, although I experimented with other stuff here and there. I even had a few ferrichrome tapes, and a deck with the right bias and EQ settings for them.
Used to do crude mixtapes by recording stuff on cassette and then editing tapes together. I still have an editing block somewhere.
Ferrichrome! Haven't heard the word in forty years.
A -> D was a fun transition to live through. Children laugh at us on the street now for our silly old machinery... But having to deal with all those problems made the glory of digital that much more obvious.
As they cart my desiccated, reeking carcass past the gates of Hell, this melody will herald my arrival at that place of righteous torment. It will be the 1969 mixdown, not the 1986.
Boulanger was one of the great composition teachers of the 20th. Toward the end of her career, she'd challenge her students by playing Peaches and asking them what was going on in the recording.
Crid
at July 26, 2019 9:30 AM
I think the correct answer, aside from all the rhythmic and harmonic deets, was that it was composed using a 16-track tape recorder, almost as literally as Bach used a quill. And it was very specifically an analog device, allowing certain arrangement and performance flourishes that would otherwise be impossible.
Listen, I think it's FZ's melodic masterwork, but even *he* couldn't play that main riff without speed-shifting the tape... It was only a couple of years ago, nearly five decades later, that someone explained exactly what was going on with my favorite song. The man was all about the prime numbers.
On the whole, digital tech is so indescribably more powerful that it would be pathetic to squeal about the lost wonders of analog. And FZ was an early adopter. A snapshot from those days records one of his few, deadly serious smiles.
Crid
at July 26, 2019 9:30 AM
But one of FZ's heroes, Stravinsky (of Los Angeles!!) happened incidentally to describe the charm of that moment… In the whole of musical history, it was shorter than a blink, but it was great to have been here for it.
Crid
at July 26, 2019 9:32 AM
I can't tell if this is "really cool" or just obvious.
Crid
at July 26, 2019 9:36 AM
The prescient Talking Heads knew the scooters were coming.
Gog_Magog_Carpet_Reclaimers
at July 26, 2019 10:14 AM
Looks interesting. I've mostly ditched chrome for the brave browser, but I haven't quite gotten to the point of thinking that Google Chrome is unsafe but I'm leaning that way.
♫ You can't afford the ticket. ♬
Crid at July 26, 2019 1:34 AM
Oh Sweet Lord how I loved this stuff. The formula was alchemy, just romantically good. It was one of the things that proved that the best technology and sincere consumer craftsmanship could earn sincere respect and affection. UD/XL II did not disappoint… Ever.
Crid at July 26, 2019 7:17 AM
Two sinceres, sorry. God how I loved that stuff.
Crid at July 26, 2019 7:19 AM
Some times, a word bears repeating.
I R A Darth Aggie at July 26, 2019 7:23 AM
Listen, the pointless damage to young lives from brutal inner-city culture is undeniably tragic, but sometimes we have to acknowledge that the same aggression bucks and scratches within our own hearts.
Crid at July 26, 2019 7:35 AM
Ah yes, the cassette holy wars. For the record, I was a Maxell guy too, although I experimented with other stuff here and there. I even had a few ferrichrome tapes, and a deck with the right bias and EQ settings for them.
Used to do crude mixtapes by recording stuff on cassette and then editing tapes together. I still have an editing block somewhere.
Cousin Dave at July 26, 2019 7:52 AM
Wait, you're surprised?
https://twitter.com/ryanjreilly/status/1154133338166370305
I R A Darth Aggie at July 26, 2019 9:07 AM
Ferrichrome! Haven't heard the word in forty years.
A -> D was a fun transition to live through. Children laugh at us on the street now for our silly old machinery... But having to deal with all those problems made the glory of digital that much more obvious.
As they cart my desiccated, reeking carcass past the gates of Hell, this melody will herald my arrival at that place of righteous torment. It will be the 1969 mixdown, not the 1986.
Boulanger was one of the great composition teachers of the 20th. Toward the end of her career, she'd challenge her students by playing Peaches and asking them what was going on in the recording.
Crid at July 26, 2019 9:30 AM
I think the correct answer, aside from all the rhythmic and harmonic deets, was that it was composed using a 16-track tape recorder, almost as literally as Bach used a quill. And it was very specifically an analog device, allowing certain arrangement and performance flourishes that would otherwise be impossible.
Listen, I think it's FZ's melodic masterwork, but even *he* couldn't play that main riff without speed-shifting the tape... It was only a couple of years ago, nearly five decades later, that someone explained exactly what was going on with my favorite song. The man was all about the prime numbers.
On the whole, digital tech is so indescribably more powerful that it would be pathetic to squeal about the lost wonders of analog. And FZ was an early adopter. A snapshot from those days records one of his few, deadly serious smiles.
Crid at July 26, 2019 9:30 AM
But one of FZ's heroes, Stravinsky (of Los Angeles!!) happened incidentally to describe the charm of that moment… In the whole of musical history, it was shorter than a blink, but it was great to have been here for it.
Crid at July 26, 2019 9:32 AM
I can't tell if this is "really cool" or just obvious.
Crid at July 26, 2019 9:36 AM
The prescient Talking Heads knew the scooters were coming.
Take 'em to the river.
Gog_Magog_Carpet_Reclaimers at July 26, 2019 10:14 AM
Looks interesting. I've mostly ditched chrome for the brave browser, but I haven't quite gotten to the point of thinking that Google Chrome is unsafe but I'm leaning that way.
https://www.eff.org/privacybadger
I R A Darth Aggie at July 26, 2019 10:54 AM
Glancing at the head line, my eyes saw "Link shack" and that made me think of the B-52s.
https://youtu.be/9SOryJvTAGs
I R A Darth Aggie at July 26, 2019 10:58 AM
Didn't see this coming.
https://www.thepostmillennial.com/exclusive-jessica-yaniv-accused-of-trying-to-share-child-porn-sexual-harassment-of-minors/
I R A Darth Aggie at July 26, 2019 1:07 PM
Here, hold muh taco . . .
Woman arrested after pouring alcohol into Taco Bell drive-thru employee's mouth
mpetrie98 at July 26, 2019 2:28 PM
> mostly ditched chrome
> for the brave
You should have Tor, everyone should. It's portable, which is helpful.
Also, I've been using Dissenter (from the Gab people) for the last few weeks to get past the NYT & WaPo type annoyances.
Crid at July 26, 2019 3:15 PM
I heard something bad about Brace but can't remember the details...
Ah, wiki says ad swapping — https://en.wikipedia.org/wiki/Brave_(web_browser)
Crid at July 26, 2019 3:20 PM
I'm starting to think religious professionals don't study anything besides religion and graft.
Bishop sez buttsex during pregnancy turns the baby gay.
Gog_Magog_Carpet_Reclaimers at July 26, 2019 6:37 PM
Well, maybe Catholic.
Crid at July 26, 2019 7:31 PM
Yoo Guuyyyyyttthhh, that isn't EVEN a priest-molestation joke…
This is a tough room nowadays.
Crid at July 26, 2019 7:32 PM
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